Friday 10th January
Dance video with Rosie
Dance video with Rosie
Notes:
It's important to show the fluidity and motion of the body. And the path it takes.
Try to explore the relation between bodies together.
Music doesn't have to be synchronised.
Not the whole body has to be the subject. But even body parts (e.g. Hands. Look at references)
Look for repetition. Characters intersecting with what? What influences movement? What's the feeling? Is the subject aware of the camera? Maybe the character can be exploring the surrounding.
It's important to show the fluidity and motion of the body. And the path it takes.
Try to explore the relation between bodies together.
Music doesn't have to be synchronised.
Not the whole body has to be the subject. But even body parts (e.g. Hands. Look at references)
Look for repetition. Characters intersecting with what? What influences movement? What's the feeling? Is the subject aware of the camera? Maybe the character can be exploring the surrounding.
Is our every day a routine?
"Dance is the body moving the space" R
To Explore:
- Opposition/Mirroring/repetition
- Male and female differences
- Multiscreen Dancing
- Hands
- Sign language
- Shooting from high angles and low angles.
References:
Husk - 1997 - Eiko and Kona
GhostCatching - 1999 - Paul kaiser
Boy - 1995 - Peter Anderson
Touched - 1994 - Wendy Huston and David hinton
Enter herculeas - 1996 - Lloyd newson
Hands - 1995 - John Burroughs
L'petit bal -1994 - Phillippe decoufle
Lodera -1996 - José navas. Che long
Le dortoir
Victoria marks 1994 mothers and daughter.
Cost of living
Husk - 1997 - Eiko and Kona
GhostCatching - 1999 - Paul kaiser
Boy - 1995 - Peter Anderson
Touched - 1994 - Wendy Huston and David hinton
Enter herculeas - 1996 - Lloyd newson
Hands - 1995 - John Burroughs
L'petit bal -1994 - Phillippe decoufle
Lodera -1996 - José navas. Che long
Le dortoir
Victoria marks 1994 mothers and daughter.
Cost of living
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